On social movement:
Agamben, Giorgio. “Movement.” Uni.Nomade, seminar on war and democracy, European Graduate School, Saas-Fee, Switzerland, March 8, 2005. Trans. Arianna Bove.
Barad, Karen. “What Is the Measure of Nothingness? Infinity, Virtuality, Justice.” 100 Notes – 100 Thoughts dOCUMENTA 13.Ostfildern: Hatje Cantz Verlag, 2012.
Butler, Judith, Zeynep Gambetti and Leticia Sabsay, eds. Vulnerability in Resistance. Durham: Duke University Press, 2016.
Butler, Judith. Notes Toward a Performative Theory of Assembly. Cambridge: Harvard University Press, 2015.
Glissant, Édouard. Poetics of Relation. Translated by Betsy Wing. Ann Arbor: The University of Michigan Press, 1997.
Goodwin, Jeff, James M. Jasper, and Francesca Polleta, eds. Passionate Politics: Emotions and Social Movements.Chicago: University of Chicago Press: 2001.
Jackson, Shannon. Lines of Activity.Ann Arbor: The University of Michigan Press, 2004.
Jackson, Shannon. “Working Publics.” In Performance Research16, no. 2 (2011): 8-13.
Jackson, Shannon. Social Works: performing art, supporting publics. New York: Routledge, 2011).
Lepecki, Andre. “Introduction: The Political Ontology of Movement.” In Exhausting Dance: Performance and the politics of movement.New York: Routledge: 2006.
Martin, Randy. “Introduction to a Social Kinesthetics,” lecture at the Movement Research Studies Project, Performing the Changing City: Public Space, Transformative Events and Creative Action in New York at Hemispheric Institute of Performance and Politics, March 19, 2013.
Moten, Fred. Black and Blur. London: Duke University Press, 2017.
Alongside Charlotte Prodger:
Baker, Kelly. “Taking New Directions: How Rural Queerness Provides Unique Insights into Place, Class, and Visibility.” In Totem: The University of Western Ontario Journal of Anthropology 20, no.1 (2012): article 2.
Alongside Boris Ondreička:
Hodgson, John.Mastering Movement: The Life and Work of Rudolf Laban. New York: Routledge, 2001.
Laban, Rudolf. Choreutics. London: Dance Works, 2011.
Alongside Myriam Lefkowitz:
Godard, Hubert. “Interview with Hubert Godard by Suely Rolnik.” In Archive pour une œuvre-événement – Projet d’activation de la mémoire corporelle d’une trajectoire artistique et son contexte (10 DVDs box set). Paris: les presses du réel, 2010.
Lorde, Audre. “Uses of the Erotic: The Erotic as Power.” In Sister Outsider: Essays and Speeches by Audre Lorde. Berkeley: Crossing Press, 1984.
Alongside Rhea Anastas:
Cayou, Dolores Kirton. modern jazz dance. Palo Alto: Mayfield Publishing Company, 1971.
Piper, Adrian. "Notes on Funk I-IV." In Out of Order, Out of Site. Volume 1: Selected Writings in Meta-Art 1968-1992. London: MIT, 1996.
Alongside Nataša Petrešin-Bachelez:
Murray, Ros. “Raised Fists: Politics, Technology, and Embodiment in 1970s French Feminist Video Collectives.” In Camera Obscura, 31 (2016): 93-121.
Alongside keyon gaskin:
Bradley, Rizvana. “Black Cinematic Gesture and the Aesthetics of Contagion.” In TDR: The Drama Review62 no.1 (Spring 2018): 14-30.
Helmer, Anna Rose. The Fits.Directed by Anna Rose Helmer. Oscilloscope Laboratories, 2015.
Sexton, Jared. “Afro-Pessimism: The Unclear Word.” Rhizomes: Cultural Studies in Emerging Knowledge29 (2016). https://doi.org/10.20415/rhiz/029.e02
Spillers, Hortense J. “Mama’s Baby, Papa’s Maybe: An American Grammar Book.” In Diacritics17 no.2 (Summer 1987): 64-81.Wilderson III, Frank. "Irreconcilable Anti-Blackness: A Conversation with Dr. Frank Wilderson III." Lecture and conversation. Event from Art History Department Pomona College, Claremont California, 19 April 2017.